Man on a mission

Man on a mission flash fiction lunasonline

Sanchez rises early. He dons his trench-coat, pulls on his hat.

Sliding stealthily through the silent streets, a dark, fast-moving, shadow. Hat pulled down, collar turned up, he passes through the checkpoint unchallenged. Now he’s in the ‘other’ city.

He’s closer now. He slows down and looks around. His eyes flick left, flick right. Careful, as he watches comings and goings of the grey-clad people. He times his move, then scurries across the square. He waits hunched in a doorway. A clock strikes.

He hears the click-clicking of heels on the flagstones; getting closer. He glances at the reflection in the window opposite. He tenses, wired for action. The woman draws level with him.

He springs out, reaches into his raincoat, pulls out a single red rose. He hands it to her. She smiles.

Then he’s gone. Mission accomplished.

©2018 Chris Hall

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I struggle with the techie stuff sometimes… I think this has shed a little light for me! Thanks to the Haunted Wordsmith: https://thehauntedwordsmith.wordpress.com/

Philip Pullman: ‘My Writing Day’

I came across this article written by the wonderful author, Philip Pullman. I found it very entertaining. It’s mostly about his writing space. Interesting. What’s yours like?

Courtesy of Guardian News & Media Ltd

Philip Pullman interview lunaslonline

Philip Pullman: ‘I use coloured pencils to show which key I’m writing in – D minor, at the moment’

The author on the importance of desk height, watching birds and Myriorama cards

I get to my desk (in a very small room at the top of the house) at about 10, and fiddle about with the height of the desk and the chair until I’m comfortable. I have a desk that I can raise or lower according to the state of my aching back. Sometimes I stand at it, and sometimes I have it high up to write at, and sometimes a bit lower to type.

The desk is covered by an ancient kilim, because it looks nice, but that’s not a good surface to write on, so I have one of those green safety cutting mats to support the paper I use, which is A4 narrow lined, with two holes. I love the shape of the A paper sizes. It’s the only one of Andrea Palladios recommended architectural shapes (the ratios of room length to width, and so on) that contains an irrational number, in this case the ratio of one to the square root of two. Very handy for illustrating Pythagoras’s famous theorem, in fact.

Nearby is a basket full of coloured pencils, including some of the best of all, the Berol Karisma range, now unfortunately discontinued. For each book I write, the paper is authorised for writing on by means of a coloured stripe along the top edge. I fan the sheets out and colour a stack at a time. The current book is a warm blend of Karisma Pumpkin Orange and Faber Castell Venetian Red. I sometimes think I should make it clear which key I’m writing a particular passage in – D minor, at the moment – but that would be silly, unlike colouring the pages, which makes perfect sense.

To read on, click here

 

 

A Dream (?)

A beautiful but dark poem highlighting the issue of domestic violence. Gently brutal.

Shreya Vohra's avatarPhoenix With A Pen

In the dead of night,
Under a moonlit sky,

I had a dream
About you and me.

I saw you hit me.
You beat me.

You didn’t even stop
When crimson clots

Were beginning to appear,
All over my skin.

I woke up.
In a pool of sweat.

But was relieved that
That was just a head trip.

Until one day when
Like all my other dreams

You turned this one too
Into reality.

IMG_0912 Image Source: Aunia Marie Kahn (Pinterest)

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Bogged down in Botswana

Another Adventure in Botswana

Lake_Ngami_Discovered_by_Oswell,_Murray_and_Livingstone lunasonline

Lake Ngami, discovered by Oswell, Murray & Livingstone – from David Livingstone: Missionary Travels and Researches in South Africa, Including a Sketch of Sixteen Years’ Residence in the Interior of Africa, and a Journey from the Cape of Good Hope to Loanda on the West Coast, Thence Across the Continent, Down the River Zambesi, to the Eastern Ocean. London: John Murray, 1857.

Where David Livingstone had success, unfortunately we did not… a little bit of travelogue:

We had been searching for Lake Ngami the whole morning and were beginning to conclude that it had ceased to exist, despite it being an ‘Internationally Important Wetland,’ according to the sign which we’d found facing belly up at the roadside. It was, after all, the dry season.

We had driven across the eastern side of what, we assumed, had been the lake. The landscape was dry and desolate, populated only by a scattering of dead trees and the occasional hopeful-looking bird. We’d retraced our route.

Regaining the original road, we decided to go for one last try down the uneven track where we’d concluded the important-looking sign had pointed. After sometime driving on the worsening roadway, we passed several rondavels. I waved to a group of Herero women in their traditional costumes with their iconic cow horn-shaped headwear. We saw goats and chickens roaming around contentedly, and a bunch of small children who waved cheerily at us. We waved back. There was a lot of waving to be done.

But there was no sign of the lake.

We pressed on through the village; everyone looked puzzled but friendly, grinning at us with white-toothed smiles. I peered at the map; this couldn’t be right.

Defeated, we decided to turn around. The vehicle slid uncomfortably in the soft sand. The wheels turned, but we were going nowhere. The engine stalled. We started up again, but the rear wheels dug further into the sand. We stalled again.

My husband got out and circled the vehicle; I watched him in the side mirror staring at the back wheels, hands on hips. He disappeared from view and returned with a handful of twigs which he started to stuff under the wheels.

Another try and again the wheels failed to grip. The group of children which we waved at earlier appeared, attracted by the sound. An older youth with them approached and informed us in excellent English, that a spade would be fetched. We needed to ‘dig deep’. A smaller child disappeared in the direction of the nearest rondavel. Moments later he returned, armed with a small spade with a broken handle.

With great enthusiasm the little team of helpers gathered round my husband, all intent on assisting with the digging. Small boys burrowed under the vehicle and renewed attempts were made to drive out. But the wheels continued to sink into the sand. ‘We need to dig deeper’, came the cry.

An older man wandered over, an un-lit cigarette clamped between his lips. After a short conference with the helpers, two of them disappeared, reappearing with two large roof tiles. The tiles were positioned under the rear wheels; my husband gripped the steering wheel and started the car. There were crunching noises and an ominous burning smell. The afternoon shadows lengthened.

More digging, another attempt, the front of the car rose higher. From this an unusual angle a red and white-painted mast in the distance caught my eye.

I fished in my bag for my cell-phone and scrabbled for the receipt on which I’d written Carlton’s cell number. Just in case, I had said back in his little office, when we’d picked up the vehicle.

My cell-phone rang out. ‘Carlton?’ ‘Yes?’ I explained the problem. ‘Have you engaged the 4-wheel drive?’ I summoned my husband and relayed instructions relating to a small knob under the steering wheel. He complied, started the engine and pressed the accelerator. The car moved off. There was a cheer; they’d done it! Rewards were dispensed to our gallant team. We didn’t mention my phone call as we waved goodbye.

©2018 Chris Hall

 

 

The best reference for authors

Elements of Style by Struck & White lunasonlineReading a blog post from Cristian Mihai in The Art of Blogging, earlier this week reminded how useful I’ve found this little book over the years. Most recently, when I was doing a spot of editing for my good friend, Paul English, whose latest book, “Fire Angel: Turning Point”  from his ‘Fire Angel Universe’ series, is just out now.

Strunk and White’s “The Elements of Style” was first introduced to me by the wonderful Ursula K. Le Guin (sadly no longer with us), in her excellent book on story writing: “Steering the Craft”, which was a huge help to me early on in my writing life.

Read what Cristian Mihai says about it in his post: ‘The (Very Short) Ultimate Guide to Blogging’

 

PR Failure

Lilac Breasted Roller by Nigel Whitehead lunasonline
Lilac Breasted Roller ©Nigel Whitehead

“It had all been going so well,” said the Lilac Breasted Roller to his mate. “Everyone thought we were the National Bird of Botswana. Even though there’d never actually been one.” The bright coloured little bird sighed heavily. “It was such a PR triumph just letting all those safari visitors think that.”

“I know,” replied the female. Her wings drooped.

“But now the Kori Bustard’s been given the title. It’s official.”

“That bird’s not nearly as pretty and charming as us,” she said flapping her bright turquoise wings.

The male sighed again. “You may as well close our Twitter account.”

©2018 Chris Hall

https://www.facebook.com/BirdlifeBotswana/posts/252210624903129

Kori Bustard
Kori Bustard ©Jody de Bruyn

 

 

 

The writer returns

animals on the road lunasonline
Downtown Maun, Botswana

Only last week I asked the question: “Do writers really go on holiday?”

Well, just one week away ‘in the bush’ (well, not quite), and my head is spinning with ideas. Nothing concrete just yet, although I have a host of notes in my little black notebook.

I’ve been wonderfully distracted on my return today by all the stories which my writer friends have been posting while I’ve been away: you are so prolific! And, of course, I just had to stop to read some of these awesome posts. Oh, and do some paid work for my website and social media clients.

Normal service should be resumed next week…plus I mustn’t neglect the work-in-progress novel.