Location, Location, Location #22

Location No. 22 – Somewhere in Yorkshire

On our literary tour this week we’re going on a little time-travelling detour. Let me take you back to my school-days when I deftly managed to avoid a week’s work experience by wangling my way onto a historical workshop run by a local theatre group.

There were about 10 of us from our all girls grammar school, and we were about to be transported to the time of the English Civil War, accompanied by a handful of enthusiastic actors, who were keen to recreate the correct conditions for our plight under the iron fist of the Royalists who held the walled City of York.

The historical details were somewhat lost on me, but the story was that our fathers, fearful for our safety, were sending us out of the city to an unspecified rural location, were we would conceal our identities as daughters of prominent Parliamentarians and assume the roles of farmer’s daughters.

There were various preparations including the fitting of period costumes and, for the sake of historical accuracy, being urged not to wash or wear modern undergarments (which of course we ignored). Then the following day, with minimal baggage and concealed toothbrushes, we were whisked away to the past in the theatre minibus.

We were undoubtedly too compliant for young ladies of the time thrown into such a situation, but eager to get into our roles we got down to work. There was much peeling to be done. I chiefly remember the potatoes and onions. The onion skins were boiled up to make a dye for some rather malodorous sheep’s wool, which was marinated overnight, and came up a vibrant shade of yellow the following day. We learned to card and spin wool. My spinning was woeful and I was sent to the kitchen to busy myself about the potatoes again. I learned to milk a cow which was brilliant, unlike the subsequent butter-making. Churning is absolutely arm-aching.

We were also shown the hayloft where we would hide should anyone in authority from the ‘wrong side’ come calling. Little did we know that the following evening we wouldn’t have time to hide.

The sun was setting and we’d finished our supper. We were all sitting together in the large room at the front of the farmhouse which looked out onto the yard. I chanced to look through the window to see a group of soldiers, wearing high boots and feather-plumed hats, marching towards the farmhouse. They were undoubtedly the enemy. Almost before I’d had time to call out a warning, they were hammering on the door.

They took the farmer into the back room. His wife followed. One soldier stayed guarding the door. We heard punches, screams and cries; furniture was being overturned. If we hadn’t been in character before, we certainly were in those few moments.

Then they emerged. The make-up was very realistic.

The soldiers moved on.

I really don’t recall what happened after that, but what an experience! One on which I was to draw on for a little piece, written about 30 years later, in a response to a writing group prompt: ‘A Scary Moment’. Revised and updated it became the first piece in my tiny collection of short fiction, released in 2018.

~~~

The Day the Soldiers Came

I smile as I watch my mother play with my little brother Tommy on the hearth-rug. My father sits in his chair, still but alert. Suddenly, out of the corner of my eye I detect a movement in the yard.  I turn to look. Soldiers, four of them! By the way they are dressed, I know them instantly as ‘the enemy’. My father has followed my gaze as I gasp in fright and immediately he’s on his feet, sweeping up Tommy in the same movement and shoving him in my direction.

‘You know what to do Annie,’ he says quietly. He nods urgently at me and I grab Tommy’s hand and propel him through the kitchen. I look through the window, checking our route to the barn. It’s clear, so I open the door and we slide through and dash into the slatted wooden building. Behind us, I hear the soldiers hammering on the front door, shouting.

Although Tommy’s only little he knows what to do. Just as we’ve practiced so many times in recent months, I help him up the ladder to the hayloft. He doesn’t make a sound as we creep across the creaky boards and hide ourselves in the straw behind the loosely baled hay. We lie there, waiting. We haven’t practised what happens next. Then I hear a scream; I know it’s my mother, although the sound is like none I’ve ever heard her make. Her pain and terror flood my head. I grip Tommy tightly; he’s trembling and sobbing silently. The minutes tick by; I wonder what’s happening in the house. My father is shouting, but I can’t make out what he’s saying. The shouting stops abruptly and I hear the back door slam against the outside wall of the kitchen.

Heavy boots march towards the barn; I bite down hard on my knuckles. A cold fist contorts my stomach as I realise I forgot to drag the ladder up behind us. I hear the soldier’s heavy breathing down below. He’s pulling things over, searching. He approaches the ladder and in my mind’s eye I see him grab the ladder and place his boot on the first rung. Sweat runs down my back. Tommy is rigid in my arms.

There is a loud call from the house: ‘Move on!’ I hear the sound of the ladder clattering to the floor.  It settles and there is no sound apart from the blood pumping in my ears. Slowly I get up, my legs are shaking. I grab the rail at the edge of the loft and feel for the rope which we use as a swing when it’s too wet to play outside. Telling Tommy to stay where his is, I let myself down and run towards the back door which is gaping off its hinges.

Inside the house furniture has been overturned and one curtain has been ripped from the window. My mother cowers in a corner. Her blouse is torn and there is blood on her skirt. Father’s face is bruised and bloody. He reaches for her, but she turns her face to the wall.


The English Civil War, 1642 – 1651. Scenes from ‘Cromwell’ with Richard Harris and Alec Guinness, music by The Clash.

A Sextet of Shorts is available from Amazon in paperback and ebook and on Kindle Unlimited

Photo credits: naturalhomes.org, http://www.sheepcabana.com, pixels.com

Location, Location, Location #11

Location No. 11 – The West Coast National Park, South Africa

This time, on our literary journey through the pages of my books, we’re back in South Africa to explore a little more of the beautiful west coast, where Song of the Sea Goddess is set. My imaginary little town isn’t a single place, but an amalgam of different locations, all quite close to each other, but brought together so as to satisfy the needs of the narrative.

Today’s visit is to a key site for the story. So pause, feel the African sun on your back, breathe in the salty sea air mixed with the sweet, spicy scent of the fynbos under your feet, and join me in the West Coast National Park, where the flora and fauna are protected and visitors now step lightly on the land.

I first visited the park on a day trip with my cousin and her husband, while they were visiting from the UK. It’s a lovely place for a walk by the lagoon, a little bird spotting and a pleasant lunch.

As a quick aside, the photo for the cover of my short story collection was taken at the restaurant.

These attractive yellow birds are weaver birds, whose nests fill the trees above the outdoor seating area. The males painstakingly weave their intricate nests out of grasses and the fussy females make their choice. If they don’t like them they destroy them and start again.

Better than a day trip is a couple of nights spent in the self-catering accommodation in the park. Some of the cottages are very isolated so that once the day visitors have left, it’s just you and nature and the night.

On one such visit, the sun had slipped beneath the horizon, not long after the photo above was taken, and we were sitting contemplating the dying embers of the braai (barbeque). Suddenly we were roused by a strange clicking sound. Lots of clicking. There was something around the other side of the cottage. Slowly we crept around the building.

What an amazing sight! One after another, a long ribbon of eland were walking past the cottage between us and the lagoon, no more than 20 yards away from where we were standing. There must have been about 50 of them, knees clicking as they walked, apparently so they can keep in touch with one another in the dark, or so I was once told by a park ranger.

Listen carefully. My increasingly arthritic knees can relate!

And now we come to the specific location and its role in the story. In the excerpt below we meet Jannie, one of our main characters, and catch an early glimpse of a mysterious, mythical figure who dives from the ‘looming headland’, which is a key part of the local landscape.

This is the ‘borrowed’ location, Kraal Bay, on the Langebaan Lagoon in the National Park. This is the place where Eve’s footprint was discovered: a set of fossilized footprints left in the sand some 117,000 years ago by one of the first people to walk on this shore.

My imaginary headland is possibly a little more whale-shaped, but that is the writer’s mind at work. Knowing the paths of the ancient people ran through this place, what else might be eventually be discovered beneath this domed hillside?

Kraal Bay – sanparks.co.za

Excerpt from ‘Song of the Sea Goddess

Jannie stretches out his legs and breathes in the warm sea air, which is laden with the smell of diesel and freshly caught fish. He smiles to himself. This is the life, he thinks, far away from all his cares and responsibilities. It’s been a stroke of luck that his brother, Robert landed a two month contract working up-country, and asked him if he would like to come and mind his little house on the coast while he was away. Robert, a long-time widower, lives alone now his family’s grown up and moved to Cape Town. He didn’t want to leave his house unoccupied. People are for the most part honest in the little town where he’s settled, but with more mouths to feed and fewer jobs, no one’s property’s safe for long.

Jannie has his own problems back home. Much as he loves his extended family, it was all becoming too much. What with his own grown up children, their children and assorted aunties, nephews and nieces constantly calling upon him for help, he’d really had enough. It wasn’t as if they couldn’t manage without him. It would be good for them, especially his four sons, to stand on their own two feet for a change.

He casts his eyes over the small harbour, looking out for Sam in his little fishing boat, Porcupine, which he’d helped him repair over a week or two when he first arrived. Jannie likes to keep busy, and was pleased to be able to use the skills he’d gained during his fifteen years at sea. But there’s no sign of Sam or little Porcupine. Perhaps they’ve gone further up the coast for a while, he thinks. Sam might be turning a better profit for his catch at one of the other busier harbours up the coast.

Remembering the past, Jannie chuckles to himself and closes his eyes. He’d run away to sea with his friend when they were just twelve years old. Carrying a little bag of warm clothes, he’d snuck out of his mother’s shack while she was sleeping and met his older sister up by the highway. She had a job in a bar next to Cape Town harbour, and she knew an officer on one of the deep sea fishing boats who would help them once they were on board. Jannie recalls standing in the almost pitch black on the quayside, his body swaying, thinking it was the ground under him which was moving, when in fact it was the looming steel hull of the ship in front of him. And oh, they had been so sick once the ship was underway…

Shouts and running feet jolt Jannie back to the present. The harbour master, jamming his peaked cap on his head, rushes past him towards the southern end of the harbour, where a small group of people have gathered. Jannie stands up and shakes himself, then hurries after the harbour master to join the gathering crowd, jumping up onto the harbour wall to get a better view of what’s caught their interest.

A tall, slender woman in long skirts is standing on the edge of the headland across the estuary. Her arms are held out in a welcoming gesture as dozens of whales break the surface of the waves before her. She lifts her head skywards, spreading her arms out widely, in a pose that reminds Jannie of the statue he’d so admired, long ago in Rio de Janeiro.

The woman opens her mouth and a loud, ululating song resonates across the bay. Suddenly the whales take to the air; wave upon wave of them. Jannie blinks and shakes his head. What’s going on? The woman’s song grows louder. The whales are flying! Jannie pinches himself.

The sky darkens, filled with the huge beasts. Then the song stops.

A close up of the woman’s face appears before Jannie’s eyes. She smiles revealing a row of pointed teeth. A selkie! He’d heard talk of these when he’d been sailing in northern waters. Jannie feels the harbour wall ripple beneath his feet.

Her face disappears. Up on the headland he watches her dive into the ocean. Her silver seal tail flaps once above the waves, and then she’s gone.

Jannie looks around. He’s alone on the harbour wall. A man passes close by him, he glances up and smiles, tipping his broad-brimmed hat in Jannie’s direction, while behind him, people are going about their business as usual. Jannie sits down on the wall and rubs his eyes. He looks up, the headland is deserted. Far out in the ocean he sees a solitary whale breaching.

Jannie returns to the white plastic chair that he’s claimed for himself and sits down. He rests his head in his hands, his thick brown-black dreadlocks spilling over his shoulders. It’s been more than ten years since he gave up the booze. So what kind of strange vision has he just had?


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What a wonderful morning!

a lovely morning lunasonline chris hall

I woke up this morning and, as usual, I went to open my trusty laptop (still in my PJs, of course). I was surprised and delighted by two things particularly:

A lovely review by Ellie Scott of ‘A Sextet of Shorts’, my little short story collection. It’s so uplifting and encouraging to read a review like this. Thanks, Ellie.
Incidentally, ‘Sextet’ is currently available on Kindle priced at $1.14 and on Kindle Unlimited.

An new award: ‘The Writer’s Soul Award’, from Teresa Grabs, The Haunted Wordsmith, which made my soul sing! Thank you, Teresa.
Go check out the other recipients, fellow writers and readers!

And have a smashing Saturday!

…making my soul sing

 

The Day the Soldiers Came

the day the soldiers came by chris hall lunasonline

I smile as I watch my mother play with my little brother Tommy on the hearth-rug. My father sits in his chair, still but alert. Suddenly, out of the corner of my eye I detect a movement in the yard.  I turn to look. Soldiers, four of them! By the way they are dressed, I know them instantly as ‘the enemy’. My father has followed my gaze as I gasp in fright and immediately he’s on his feet, sweeping up Tommy in the same movement and shoving him in my direction.

‘You know what to do Annie,’ he says quietly. He nods urgently at me and I grab Tommy’s hand and propel him through the kitchen. I look through the window, checking our route to the barn. It’s clear, so I open the door and we slide through and dash into the slatted wooden building. Behind us, I hear the soldiers hammering on the front door, shouting.

Although Tommy’s only little he knows what to do. Just as we’ve practiced so many times in recent months, I help him up the ladder to the hayloft. He doesn’t make a sound as we creep across the creaky boards and hide ourselves in the straw behind the loosely baled hay. We lie there, waiting. We haven’t practised what happens next. Then I hear a scream; I know it’s my mother, although the sound is like none I’ve ever heard her make. Her pain and terror flood my head. I grip Tommy tightly; he’s trembling and sobbing silently. The minutes tick by; I wonder what’s happening in the house. My father is shouting, but I can’t make out what he’s saying. The shouting stops abruptly and I hear the back door slam against the outside wall of the kitchen.

Heavy boots march towards the barn; I bite down hard on my knuckles. A cold fist contorts my stomach as I suddenly realise I forgot to drag the ladder up behind us. I hear the soldier’s heavy breathing down below. He’s pulling things over, searching. He approaches the ladder and in my mind’s eye I see him grab the ladder and place his boot on the first rung. Sweat runs down my back. Tommy is rigid in my arms.

There is a loud call from the house: ‘Move on!’ I hear the sound of the ladder clattering to the floor.  It settles and there is no sound apart from the blood pumping in my ears. Slowly I get up, my legs are shaking. I grab the rail at the edge of the loft and feel for the rope which we use as a swing when it’s too wet to play outside. Telling Tommy to stay where his is, I let myself down and run quickly towards the back door which is gaping off its hinges.

Inside the house furniture has been overturned and one curtain has been ripped from the window. My mother cowers in a corner. Her blouse is torn and there is blood on her skirt. Father’s face is bruised and bloody. He reaches for her, but she turns her face to the wall.

A Sextet of Shorts Cover pic

That was the first piece from ‘A Sextet of Shorts’, my little book of short fiction pieces.

‘Sextet’ is currently available to download on your Kindle for $0.99 / €0.99 / £0.99 and other currency equivalents  (+VAT) until midnight on 01.01.19.

And, since it’s the holidays, if you’d like a freebie, I will arrange to gift a download to the first 10 people who respond in the comments section below!

Marketing books to the local community

 


A few weeks ago I told you about a little marketing initiative which I cooked up with my writing buddy, Paul English, involving a donation of the first two published books in his
Fire Angel Universe series to a school library. Giving a Fellow Author a Plug!

Article in Bolander Paul English-page-0Now I’m pleased to say that the article I submitted to our local newspaper, The Bolander, was published yesterday, both online and in print. ‘This is a long established popular community title which is distributed to 31 150 readers’ homes. Readers receive hyper local content with a focus on community news, including local personalities, advice and editorial columns, reader’s letters and sport.’  So it’s a good place in which to be featured!

Here’s the link to the online article, which Paul and I have shared far and wide (so you might even have seen it already): Author Unleashes Fire Angel Series.

We also have print copies of our books out there: Paul has some in a local art gallery and in our favourite local bookstore, Bikini Beach Books.

I have some signed copies of The Silver Locket in our local Mexican Deli, Senor Onion, (thank you,  Karen), they do great food by the way! And yesterday I presented a signed copy of Sextet to my podiatrist who promises to put it on top of the magazine pile in the waiting room after he and his receptionist have finished reading it (thanks, James)!

Wouldn’t these look nice on your bookshelf?