The Eye of the Beholder

What do you see 8

‘They look so realistic! It’s bronze isn’t it?’ she steps forward reaching out to touch the arm of the nearest figure.

‘You shouldn’t touch…’

She pulls her hand back.

‘…remember in the Tate with the Henry Moore?’

‘But this is outdoors, exposed to the elements.’ She paces around the sculpture of the warrior bearing his fallen comrade in his arms. ‘The detail’s so fine!’ Unable to stop herself, she brushes her fingers across the shoulder of the upright warrior. The metal is cold and hard. She knocks against it gently with a knuckle. ‘I wonder who they are?’

‘Who they were, you mean.’

She rolls her eyes. ‘There must be a plaque or something.’ She crouches down, running her hand over the calf muscle of the warrior’s left leg. ‘What about the leaflet they gave us?’

He fishes in his pocket and hands her the crumpled guide to the castle, before strolling off towards the battlements. Sculpture’s never really been his thing and he finds the pair, posed together as they are, strangely unsettling.

The print on the leaflet is small. She walks over to a nearby bench, fumbling in her bag for her reading glasses and dropping the leaflet as she does so. As she bends to pick it up, she hears a loud yawn. She glances around, but no one’s there.

It hits her like a mallet.

The statues have moved.

She retreats, catching herself as the back of her knees make contact with the bench. She sits abruptly, never taking her eyes off the two statues.

The warrior has unburdened himself of his comrade and is stretching magnificently. His back is turned towards her and she can see every muscle and sinew rippling across his back. In one fluid movement his companion rises from the ground and stands facing her.

Living statues, like the ones they’d seen in Barcelona? But she’d just touched one and it was cold and hard.

The eyes of the statue facing her widen; his mouth drops open.

She freezes.

He puts a hand on his companion’s arm; he turns. Eyes lock on hers.

A long moment is frozen in time.

A loud whistle distracts her; she hears him calling her name. She looks up and sees him waving to her from the castle walls. When she returns her gaze to the statues; they have resumed their original pose.

She rises and approaches, raising a hesitant hand. Cold, hard and immovable; but she didn’t imagine it.

Did she?

She starts to walk away, then turns, staring at the two figures. Then she realises what’s changed.

‘You switched places!’ she accuses, raising a finger. ‘I know it!’

The statues remain impassive.

Footsteps approach from behind her. ‘You’re not talking to them are you?’ he says. He puts his arm around her. ‘You’ll be telling me you’ve had a conversation with them next,’ he laughs.

She smiles up at him and turns to leave, casting one last glance at the sculpture.

The upright warrior winks.

 


Written in response to Sadjes ‘What Do You See #8 photo prompt.

The Writer’s Gift

what do you see 3 by chris hall lunasonline

Waves of words wash over her

transporting her through

space and time

to other realms

where dreams come true

and the adventurer knows no bounds.

 

Riding the White Horses of the Camargue

Dancing with Wolves

Searching for The Beach

 

She journeys to the Centre of the Earth

explores King Solomon’s Mines

and witnesses the Return of the King.

 

Laying aside her book

she drifts, dreams,

and the waves of words

still wash over her.


Written in response to Sadje‘s ‘What Do You See #3photo prompt.

Flight of fancy

Flight of Fancy by Chris Hall lunasonline
Source

I watched a dragonfly today

Blue-bright body, wings of lace

Like a little ‘copter

or a miniature drone.

 

I watched a dragonfly today

Circle, hover, perch, take flight

Like a tiny bi-plane

or a teensy flying-boat.

 

I watched a dragonfly today

And this time looked more closely

Admired its engineering

Saw the faerie in the cockpit.

Author Reviews: how do you feel?

I come across this article by one of my favourite authors, Kate Atkinson, which she wrote in response to a review of her latest novel by the American novelist Jonathan Dee in the New Yorker.

You can read the full article for yourself by following the the link below, but as I was reading, I was initially incensed on her behalf by Dee describing her as ‘matronly’. I mean, how dare he? (Note that Ms Atkinson is a contemporary of mine, even down to having grown up in the same city, not that we knew each other).

In his review, Dee makes much of a comparison with the work of Rachel Cusk, who is an exponent of “autofiction” (a form of fictionalised autobiography). There’s a further link in the main article to a piece about this form of expression, which is apparently gaining in popularity. It’s not something I’d care to explore; writing from the imagination seems to me to be the whole point of novel writing.

But back to the point about authors reviewing authors. Reviews are important, and I’m very grateful for the lovely reviews I’ve received on my published work so far. I believe that we should try to support each other and if we really don’t like a book, maybe just keep our opinions private.

Some food for thought here. What’s your view?


Courtesy of Guardian News & Media Ltd

Kate Atkinson calls authors reviewing their peers a ‘callous art’

British novelist who recently published latest book “Transcription” says she tries not to read bad reviews

Kate Atkinson
Kate Atkinson, Author (and not at all matronly)

The literary world is packed with novelists reviewing the books of their colleagues but it is not something Kate Atkinson would do, calling it a “callous art”.