It’s my great pleasure to welcome indie author, Tom Burton to this month’s Launch Pad spot. Like me, you may have come across Tom’s vivid creative writing on his blog. I happened upon it a couple years ago, my interest having been grabbed by his episodic story following the adventures of one Sergeant Craig Harper. Since then, Tom’s readers have been treated to many well-crafted stories across many genres.

So, let’s find out a little bit more about Tom. We’ll start with his official author bio:

Tom Burton is a British author with a passion for writing magical, mysterious and historical fiction. He lives with his family in Devon, his writing fuelled by the magic of dark chocolate and Yorkshire Tea.

His short stories have appeared in Spillwords Press, Literally Stories, Dreaming in Fiction, and Whatever Keeps The Lights On.

He has published two collections of short stories so far: Wildlands in 2020 and recently released, Pocketful of Time.

Before we get to Tom’s latest release, he’d like to share some of his own thoughts on writing, garnered from his own experience as a storyteller. Over to you, Tom!

Tom’s Top Three Guidelines

I know, I know. We’ve all read those wonder lists of the “Top Ten Tips To Write Right!” or whatever. Who on earth am I to give advice? Eww. *retreats under couch hissing like a cat*

So I’ll just call them guidelines, NOT rules. They’re not hard and fast tricks to success – these things never are. What works for me might not work for you.

But they sure helped my writing improve.

1) Entertain One Reader.

That’s it. You and your reader. All it is. Good writing makes your reader laugh and cry. If there’s no emotion? No buy-in to the story. If your book says what you want and how you wanted to present it? Job done. Whether people like it or not is entirely up to them.

Not everyone’s going to love your book. Harsh but true. If you try to write to please EVERYONE, you won’t end up pleasing ANYONE. If your work’s out there, readers who love your style and genre will find you. There’ll be a whole lot of ‘no’s’ along the way. But it only ever takes one ‘yes’.

You’ll get SO MUCH unasked-for advice from readers. Thank them politely. Read it. Shelve it to one side. Move on. They didn’t write your book. You did. Own it. Be proud of that glorious mess you made.

Someone once sent me an actual email cordially advising me to write longer flashfics as they come across more ‘writerly’ (???) and I sent them a reply that just said ‘Chapter One: No’.

”I really liked the idea but thought there should’ve been a twist in the end to make it like a thriller.” Which would’ve been, y’know, GREAT advice … for someone writing a thriller.

2) Immerse your reader.

Use different senses to plunge your reader into a scene: what can the character hear, smell, see? Getting the setting, mood and background senses right make the scene pulse with life and draws in your reader! Smell is often underused, but it really enriches your story. “The stench of a decaying carcass” paints a hugely different picture than “the sweet aroma of jasmine”.

Immersion pulls us right in the thick of the story. We feel like we’re living these stories because the author’s ensured we’re fully captivated. We forget that it’s words on a page that another person has written. We forget that hundreds of other people could be reading the story at that very moment. It’s our story. Just us and the characters and their world.

Immersing your reader is different than just hooking them, it’s keeping them hooked. It keeps them plugging along and (hopefully) conjures some kind of emotional response. (Preferably one that doesn’t involve hate mail.)

Omit dialogue tags (I said/you said/he said/she said) if it’s clear which character is talking. Words like “said,” “asked,” or “wondered,” drag down your story telling. Instead, spice up dialogue with action! Having that back-and-forth punctuated with action makes dialogue flow smoother, so your reader never gets yanked out of the story. For example:

“Get out of my room, you brat!” Evie demanded.
Mark glared at her. “Make me!” He retorted.

VS

“Get out of my room, you brat!” Evie tried to shove her brother into the hallway but his heavy bulk ruined her efforts.
“Make me!” Mark held his ground.

3) Keep it simple.

Less really is more. The delete key is your friend! Often the best days are when you have fewer words on the page than when you started. Window Prose helps: the kind of writing that’s so simple, clear and minimal that the audience doesn’t even notice they’re reading. They never have to stop to think, so it’s just like gazing through a window at the unfolding action.

Purple Prose uses large, complicated indulgent words to over-describe simple, clear descriptions. It’s flowery, excessive and breaks the flow of the reader’s attention. Don’t slip a ten-dollar word into a ten-cent simple sentence like “scintillating” and “incandescent”. It messes up the flow and makes the reader reach for a dictionary (BIG no no). Don’t drown your reader in unnecessary adjectives and adverbs. Run-on sentences bog readers down with unneeded elaborate detail and distract from the story. For example:

“The branch on the fire burst asunder with a muted pop as the coals underneath heated the gnarled length of wood to the point where a small cache of water that had somehow evaded the sun’s rays for untold decades exploded into steam” GAAAAHHH

VS

“The fire crackled.”

Seduce your reader, don’t burden them. Never use five fancy words when three simple ones will do. Be concise. Don’t fall in love with the gentle trilling of your smooth flowing sentences. Cut out what doesn’t need saying. You don’t want to be writing with a thesaurus in your other hand, choosing unfamiliar fancy words to replace simple, clear, familiar ones. Plain, clean language is the way to go!

Want to enhance a scene? Use precise, punchy nouns and strong vivid verbs that heighten the reader’s sensations, paint strong mental images, and avoid wordy descriptions and overused adjectives.

> Smell = stench, aroma, scent, fragrance.
> Small = tiny, petite, minuscule, miniature.
> House = cabin, mansion, cottage.
> Group = horde, team, gang.
> Woman = lady, mistress, matron.

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Tom’s latest book of short stories is Pocketful of Time, a splendidly vivid collection of historical tales. You can read my review here.

Now, over to Tom to tell us a little more about his book and how he came to write it.

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Thanks ever so much for hosting me, Chris! It’s such a privilege to be invited to a great outlet for indie authors. Really excited to be here and share my latest book Pocketful of Time on your blog. Also, thanks for giving me the opportunity to share my writer’s thoughts with your readers!

I’ve always loved history from an early age. It’s fascinating to have that unique viewpoint into the living, breathing world of our grandparents and ancestors – that shock of the intimate past that reaches out to jab us in the ribs. Historical fiction’s made such a triumphant comeback recently; Hilary Mantel’s Wolf Hall, Sarah Perry’s The Essex Serpent, Sebastian Barry’s A Long Long Way and Ian McGuire’s The North Water are all  critically acclaimed for transporting the reader into rich evocative worlds that capture the audience’s imagination.

I also studied history at Uni, which I’m sure helped.

Pocketful of Time grew out of that childhood fascination for history. Being a part of our wonderful WP blogging community for the past several years really gave me the inspiration to help my writing blossom and take the leap to self-publish for others to read via Kindle Direct Publishing.

Short stories were something I was slowly getting better at, so I thought: why not self-publish eight of these together in a collection? So I did. Big advantage of publishing a collection: if the reader doesn’t like one particular story, they’ve got plenty more to choose from.

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The blurb

A world-weary cynic rediscovers his faith. A soldier is haunted by his duty. A prisoner faces her last night on earth . . .

These visceral tales dive into the depths of humanity, exploring the darkest deeps of despair and mortality. Human history is often a grim legacy of bloodshed, misery and despair. Yet still there is hope, the triumph of the human spirit against overwhelming odds and enduring courage in the face of adversity.

Poignant, gruesome, chilling and triumphant, this collection of adult short stories has a little something for every reader.

Fancy diving into William Tyndale’s struggle to publish the first English Bible? Guy Fawkes’ last days in the Tower of London? A lone German citizen’s non-violent resistance to the Nazi regime? Then feel free to check these stories out!

Pocketful of Time is available in paperback and ebook – get it here: Amazon US / UK

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Tom’s social media links

Website: Slumdog Soldier

Amazon Author Page: www.amazon.com/Tom-Burton

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Would you like a spot on the Launch Pad?

If you’re a writer with something to say about you new book I’d love to hear from you. All mainstream genres are welcome be it fiction, poetry, memoir or even non-fiction (am I the only person who reads cookery books cover to cover?). I’m particularly keen to support fellow Indie Authors, although by no means exclusively.

Book your ‘First Friday’ spot now, especially if you have a book release lined up in the coming months. Just drop me an email at chris87hall@gmail.com and in response I’ll explain what I’ll need from you and when.

Looking forward to hearing from you!

It’s my great pleasure to welcome Elizabeth Gauffreau to this month’s Launch Pad spot. Like me, you may already be familiar with Liz through her blog, and others of you will know her through her wonderful novel, Telling Sonny, a book I thoroughly enjoyed when I read it earlier this year.

So, let’s find out a little bit more about her. We’ll start with her official author bio:

Elizabeth Gauffreau writes fiction and poetry with a strong connection to family and place. She holds a BA in English/Writing from Old Dominion University and an MA in English/Fiction Writing from the University of New Hampshire. After a misbegotten stint teaching high school English and Latin, she spent her career in nontraditional higher education.

Her recent literary magazine publications include Woven Tale Press, Dash, Pinyon, Aji, Open: Journal of Arts & Letters, and Evening Street Review. Her fiction and poetry have also been featured in several themed anthologies, including Ad Hoc Monadnock, Shifts: An Anthology of Women’s Growth through Change, When Last on the Mountain: The View from Writers over Fifty, Familiar, and Poetry Leaves. Her 2018 debut novel, Telling Sonny, was inspired by a family secret and a lot of research into small-time vaudeville.

Learn more about her work at http://lizgauffreau.com.

Liz lives in Nottingham, New Hampshire with her husband. Their daughter has flown the nest to sunny California.

Liz’s new book of poetry, Grief Songs – Poems of Love & Remembrance, is just out. It’s a deeply moving collection of poetry which speaks to an album of her family photographs. I just finished reading it yesterday, such a wonderful bitter-sweet collection, it moved me deeply. You can read my review here.

Now, let me hand over to Liz to tell us about the background to her new release.

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Thank you for hosting me on your blog, Chris. I greatly appreciate it.

I am a fiction writer by training, so I never expected to be releasing a book of poetry, much less a book of poetry written in tanka. However, being a part of our wonderful blogging community for the past several years has given me the inspiration to take my writing in new directions and the courage to publish the results for others to read.

Grief Songs started with the last poem in the collection, “Portland Head Autumnal,” although I had no way of knowing that when I wrote the poem. I had been following Colleen Chesebro’s poetry blog, “Word Craft: Prose & Poetry,” for some time and growing more and more curious to try my hand at syllabic poetry adapted from Japanese, such as haiku and tanka. I wrote “Portland Head Autumnal” as a tanka after a trip to Portland Head Light in Maine on a cold, gray, windy day in September when I could not recall any time I had been to Portland Head when the sky and water were gray, rather than bright blue.

Two months later, my mother died, leaving me the last person in my immediate family. As people do, I turned to the family photograph albums in an attempt to keep my mother with me just a little longer. As part of that process, lines of poetry started coming to me. Tanka seemed the appropriate form to give those lines shape and purpose. In the book, photographs are paired with poems to tell the story of a loving family lost.

Grief is a deeply personal experience, yet it’s an experience many of us have in common, particularly as we get older.  What prompted my decision to go ahead with publishing Grief Songs were readers’ responses to some of the individual poems I shared. The poems prompted fond memories of their own loved ones. For me, striking a responsive chord with a reader’s own experience in any number of different ways is what poetry is all about.

Thanks again, Chris, for featuring Grief Songs: Poems of Love & Remembrance on your blog and giving me the opportunity to share my thoughts with your readers.

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The blurb

When a loved one dies, the family will often turn to the photograph albums as an act of solace, to keep their loved one with them just a little while longer, Grief Songs: Poems of Love & Remembrance arose from that experience. The collection opens with three free verse expressions of raw grief, followed by a series of photographs from the author’s family album, each paired with a poem written in tanka. Taken together, they tell the story of a loving family lost.

Praise for Grief Songs

“A beautiful, personal collection of family photos and poems that express the author’s most inner feelings. Nostalgic and heartfelt, Gauffreau’s poems are written in the Japanese style of tanka, simple,  thoughtful, and full of love. Filled with wonderful memories of the past.” 

~Kristi Elizabeth, Manhattan Book Review

“Poetry readers willing to walk the road of grief and family connections will find Grief Songs: Poems of Love & Remembrance a psychological treasure trove. It’s a very accessible poetic tribute that brings with it something to hold onto–the memories and foundations of past family joys, large and small.”                        

~Diane Donovan, Midwest Book Review 

Book Trailer

So lovely, I’ve watched it again and again…

Grief Songs is available in paperback and ebook from all your favourite online bookstores – buy it here

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Liz’s social media links

Website: lizgauffreau.com

Amazon Author Page: www.amazon.com/Elizabeth-Gauffreau

BookBub: www.bookbub.com/profile/elizabeth-gauffreau

Goodreads: www.goodreads.com/egauffreau

Poets & Writers’ Directory: www.pw.org/node/1079971

Facebook: Facebook.com/ElizabethGauffreau

LinkedIn: www.linkedin.com/in/liz-gauffreau

Twitter: twitter.com/LGauffreau