It’s my great pleasure to welcome indie author, Tom Burton to this month’s Launch Pad spot. Like me, you may have come across Tom’s vivid creative writing on his blog. I happened upon it a couple years ago, my interest having been grabbed by his episodic story following the adventures of one Sergeant Craig Harper. Since then, Tom’s readers have been treated to many well-crafted stories across many genres.
So, let’s find out a little bit more about Tom. We’ll start with his official author bio:
Tom Burton is a British author with a passion for writing magical, mysterious and historical fiction. He lives with his family in Devon, his writing fuelled by the magic of dark chocolate and Yorkshire Tea.
His short stories have appeared in Spillwords Press, Literally Stories, Dreaming in Fiction, and Whatever Keeps The Lights On.
Before we get to Tom’s latest release, he’d like to share some of his own thoughts on writing, garnered from his own experience as a storyteller. Over to you, Tom!
Tom’s Top Three Guidelines
I know, I know. We’ve all read those wonder lists of the “Top Ten Tips To Write Right!” or whatever. Who on earth am I to give advice? Eww. *retreats under couch hissing like a cat*
So I’ll just call them guidelines, NOT rules. They’re not hard and fast tricks to success – these things never are. What works for me might not work for you.
But they sure helped my writing improve.
1) Entertain One Reader.
That’s it. You and your reader. All it is. Good writing makes your reader laugh and cry. If there’s no emotion? No buy-in to the story. If your book says what you want and how you wanted to present it? Job done. Whether people like it or not is entirely up to them.
Not everyone’s going to love your book. Harsh but true. If you try to write to please EVERYONE, you won’t end up pleasing ANYONE. If your work’s out there, readers who love your style and genre will find you. There’ll be a whole lot of ‘no’s’ along the way. But it only ever takes one ‘yes’.
You’ll get SO MUCH unasked-for advice from readers. Thank them politely. Read it. Shelve it to one side. Move on. They didn’t write your book. You did. Own it. Be proud of that glorious mess you made.
Someone once sent me an actual email cordially advising me to write longer flashfics as they come across more ‘writerly’ (???) and I sent them a reply that just said ‘Chapter One: No’.
”I really liked the idea but thought there should’ve been a twist in the end to make it like a thriller.” Which would’ve been, y’know, GREAT advice … for someone writing a thriller.
2) Immerse your reader.
Use different senses to plunge your reader into a scene: what can the character hear, smell, see? Getting the setting, mood and background senses right make the scene pulse with life and draws in your reader! Smell is often underused, but it really enriches your story. “The stench of a decaying carcass” paints a hugely different picture than “the sweet aroma of jasmine”.
Immersion pulls us right in the thick of the story. We feel like we’re living these stories because the author’s ensured we’re fully captivated. We forget that it’s words on a page that another person has written. We forget that hundreds of other people could be reading the story at that very moment. It’s our story. Just us and the characters and their world.
Immersing your reader is different than just hooking them, it’s keeping them hooked. It keeps them plugging along and (hopefully) conjures some kind of emotional response. (Preferably one that doesn’t involve hate mail.)
Omit dialogue tags (I said/you said/he said/she said) if it’s clear which character is talking. Words like “said,” “asked,” or “wondered,” drag down your story telling. Instead, spice up dialogue with action! Having that back-and-forth punctuated with action makes dialogue flow smoother, so your reader never gets yanked out of the story. For example:
“Get out of my room, you brat!” Evie demanded.
Mark glared at her. “Make me!” He retorted.
“Get out of my room, you brat!” Evie tried to shove her brother into the hallway but his heavy bulk ruined her efforts.
“Make me!” Mark held his ground.
3) Keep it simple.
Less really is more. The delete key is your friend! Often the best days are when you have fewer words on the page than when you started. Window Prose helps: the kind of writing that’s so simple, clear and minimal that the audience doesn’t even notice they’re reading. They never have to stop to think, so it’s just like gazing through a window at the unfolding action.
Purple Prose uses large, complicated indulgent words to over-describe simple, clear descriptions. It’s flowery, excessive and breaks the flow of the reader’s attention. Don’t slip a ten-dollar word into a ten-cent simple sentence like “scintillating” and “incandescent”. It messes up the flow and makes the reader reach for a dictionary (BIG no no). Don’t drown your reader in unnecessary adjectives and adverbs. Run-on sentences bog readers down with unneeded elaborate detail and distract from the story. For example:
“The branch on the fire burst asunder with a muted pop as the coals underneath heated the gnarled length of wood to the point where a small cache of water that had somehow evaded the sun’s rays for untold decades exploded into steam” GAAAAHHH
“The fire crackled.”
Seduce your reader, don’t burden them. Never use five fancy words when three simple ones will do. Be concise. Don’t fall in love with the gentle trilling of your smooth flowing sentences. Cut out what doesn’t need saying. You don’t want to be writing with a thesaurus in your other hand, choosing unfamiliar fancy words to replace simple, clear, familiar ones. Plain, clean language is the way to go!
Want to enhance a scene? Use precise, punchy nouns and strong vivid verbs that heighten the reader’s sensations, paint strong mental images, and avoid wordy descriptions and overused adjectives.
> Smell = stench, aroma, scent, fragrance.
> Small = tiny, petite, minuscule, miniature.
> House = cabin, mansion, cottage.
> Group = horde, team, gang.
> Woman = lady, mistress, matron.
Tom’s latest book of short stories is Pocketful of Time, a splendidly vivid collection of historical tales. You can read my review here.
Now, over to Tom to tell us a little more about his book and how he came to write it.
Thanks ever so much for hosting me, Chris! It’s such a privilege to be invited to a great outlet for indie authors. Really excited to be here and share my latest book Pocketful of Time on your blog. Also, thanks for giving me the opportunity to share my writer’s thoughts with your readers!
I’ve always loved history from an early age. It’s fascinating to have that unique viewpoint into the living, breathing world of our grandparents and ancestors – that shock of the intimate past that reaches out to jab us in the ribs. Historical fiction’s made such a triumphant comeback recently; Hilary Mantel’s Wolf Hall, Sarah Perry’s The Essex Serpent, Sebastian Barry’s A Long Long Way and Ian McGuire’s The North Water are all critically acclaimed for transporting the reader into rich evocative worlds that capture the audience’s imagination.
I also studied history at Uni, which I’m sure helped.
Pocketful of Time grew out of that childhood fascination for history. Being a part of our wonderful WP blogging community for the past several years really gave me the inspiration to help my writing blossom and take the leap to self-publish for others to read via Kindle Direct Publishing.
Short stories were something I was slowly getting better at, so I thought: why not self-publish eight of these together in a collection? So I did. Big advantage of publishing a collection: if the reader doesn’t like one particular story, they’ve got plenty more to choose from.
A world-weary cynic rediscovers his faith. A soldier is haunted by his duty. A prisoner faces her last night on earth . . .
These visceral tales dive into the depths of humanity, exploring the darkest deeps of despair and mortality. Human history is often a grim legacy of bloodshed, misery and despair. Yet still there is hope, the triumph of the human spirit against overwhelming odds and enduring courage in the face of adversity.
Poignant, gruesome, chilling and triumphant, this collection of adult short stories has a little something for every reader.
Fancy diving into William Tyndale’s struggle to publish the first English Bible? Guy Fawkes’ last days in the Tower of London? A lone German citizen’s non-violent resistance to the Nazi regime? Then feel free to check these stories out!
Tom’s second historical collection Only Human is due to be published in time for Christmas! Fourteen short stories including:
> the final voyage of Lady Jane Grey
> the swashbuckling life of pirate Mary Read
> a trapper boy’s childhood down the coal mine
> the last arctic mystery of the doomed Franklin Expedition
> a suffragette’s fight for the vote in pre-WW1 England.
Tom’s social media links
Website: Slumdog Soldier
Amazon Author Page: www.amazon.com/Tom-Burton
Would you like a spot on the Launch Pad?
If you’re a writer with something to say about you new book I’d love to hear from you. All mainstream genres are welcome be it fiction, poetry, memoir or even non-fiction (am I the only person who reads cookery books cover to cover?). I’m particularly keen to support fellow Indie Authors, although by no means exclusively.
Book your ‘First Friday’ spot now, especially if you have a book release lined up in the coming months. Just drop me an email at firstname.lastname@example.org and in response I’ll explain what I’ll need from you and when.
Looking forward to hearing from you!