Congregation

Congregation by Chris Hall lunasonline
Photo by Alem Sánchez from Pexels

From my Flash Fiction Collection

Even for a Catholic Church there are a lot of statues. Not just the usual suspects: Our Lord on the Cross, Our Lady Weeping (touch of woodworm on those toes), and good old Saint Francis with a mouldy-looking bird on each hand and a rabbit missing half an ear at his feet. All have been subjected to some dodgy touch-up jobs. Nail varnish on Saint Anne? You shake your head.

There are newer statues too; peopling the perimeter like extras from a low-budget film. They stare out from the shadows, waiting for the action.

You drop a coin in the shabby wooden box, select a candle, light the wick and place it among its fellows. You pause, looking like you’re offering a prayer; for form’s sake.

You glance at your watch. Surely he should be here by now?

Perching on a pew near the back of the nave, you survey the altar. The altar cloth is rumpled and askew; the silverware huddled together at one end, as if something (someone?) had been resting there and was suddenly removed.

A shaft of sunlight falls on the golden lectern, illuminating the outstretched wings of the malformed eagle which support a heavy leather-bound bible on its wings. You notice a chain and padlock securing the stand to a ring-bolt in the floor. You can’t be too careful these days. Something catches your eye; movement reflected in the eagle’s wings. You glance over your shoulder. The statues appear closer; one of them, a young man, has a hand raised as if in greeting. Was it like that before?

The clouds move over the sun and the lectern fades in the gloom. A door scrapes open and a pool of yellow light spills onto the flagstones alongside the altar. There is a shadow too: an elongated arm with an extended finger touches the edge of the altar cloth. Then ghost-sounds of shuffling feet, whispers of words and the rasp of heavy breaths echo across the nave. You suddenly notice that the statues are lined up along the central aisle. They watch you; empty-eyed. How did they get there? You close your eyes, shake your head and open them again. Are you dreaming? You don’t think so.

A door slams somewhere and a black-garbed priest appears carrying violin case. The man for whom you’d been waiting: the one who says he has a story for you. He sets the case down on the altar and opens it, taking out a strange-looking rifle. He glances at the statues and stares back at you. Now he smiles and flicks off the safety catch.

They say you never hear the bullet which kills you. Father Anselm’s petrifying bullets are different.

©2018 Chris Hall

Inspired by The Haunted Wordsmith’s Three Things Challengestatue, priest, violin

 

With these words…

Duke_Humfrey's_Library_Interior_5,_Bodleian_Library,_Oxford,_UK_-_Diliff
Duke Humfrey’s Library, the oldest reading room of the Bodleian Library, University of Oxford   Photo by DAVID ILIFF. License: CC-BY-SA 3.0

She hadn’t realised the consequences of taking down that old book and reading from it aloud. Nobody had warned her.

She’d always loved books; especially old books. Battered and bruised, but still adorable. Like a comfortable old armchair. The feel of the paper, pages yellowed at the edges, curled like parchment, worn down by the gaze of its readers. The smell: a little musty; a little dusty. And words which have been read and re-read; taken in, digested.

She’d been permitted to browse this ancient library. To scale the heights of the upper shelves and plumb the depths of the bottom-most archives. To swim in an ocean of promised words.

Finally, she made her choice, a heavy tome and rather old. The pages were discoloured, their edges torn, and the leather binding scuffed and stained. But the drawings of flowers and birds it contained were still colourful. There were passages of script held within the pages, although the language and spelling were archaic and hard to follow.

She took her prize to a remote desk and opened it carefully. She pored over it; savouring it. The illustrations were remarkable; tinted drawings so precise that they could have been photographs: two young girls dressed in pinafores, chanting a hand clapping game. Over the next page, a robust woman in a heavy woollen dress shouting straight out of the page at her, brows knitted with concern, arms open in appeal. A little further on, a poem was it? To be read aloud; of course.

And as she whispered the words, the world grew very bright for a moment, and then the lights went out.

Come, gentle reader, open the book! Look, she’s waving at you; page 229.

©2018 Chris Hall

The Clapping Song

 

Get out of that, Superheroes!

superheroes lunasonline
Source: Gamebody.com

From my Flash Fiction collection

The HQ of Deeply Underground Subversive Comics was under attack. Bullets sprayed across the hillside from a jet fighter. Moments later a nearby explosion rocked the desk where Mick was working.

“Dammit, we’re going to have to move out!” He yelled at Simone, who was steadying her laptop with one hand while furiously typing lines of complex coding with the other.

“Can you reconfigure the IP address before we go?” she yelled back.

“Sure, I’m on it.” Mick flung himself down at the adjacent desk and pulled the keyboard onto his lap. “What were you working on anyway?”

“Just some research for ‘Jasmine’s Day’.”

“Not on Google?”

“It was only innocent stuff,” replied Simone, emptying her desk drawer into a large canvas satchel.

“Huh, like last time.” Mick’s fingers danced over the keyboard. “Why can’t you just stay in the Deep Web?”

The flames outside were dying down. Suddenly the viewing screen was filled with what looked like giant flying insects. “Drones incoming!” Simone shouted as she crouched behind the main console and started to rummage about in a cupboard.

“Deploy ‘Flame Kitten’,” Mick turned to give the order to Jonesy.

“No can do boss, she’s busy in Syria.”

“Who else we got?” Mick finished typing and slung the keyboard back on the desk.

“‘Silver Sparrow’s in South Sudan and ‘Galactic Gecko’s in…”

“Dammit! What’s the point in us creating these superheroes if they’re not here for us when we need them?” Mick hammered his fist on the arm of his chair.

“Prime directive boss,” Jonesy shut down his screen with a click and tucked the tablet into his overalls.

There was another explosion and an ominous crack appeared in the ceiling. Simone looked up. “C’mon guys, we’ve got to get out! To the escape corridor!” She slung the satchel over her shoulder and pulled out her cell-phone. “There’s nothing for it,” she tapped the screen rapidly; “I’m messaging ‘Grand Trope Central’.”

“You’re doing what?!” Mick grabbed his rucksack from under the desk.

“We’re going to need something good if we’re going to get out of this.”

Mick, Simone and Jonesy reached the corridor just as the ceiling collapsed and the roof caved in. Flames shot across the room.

“Sealing hatch!” Simone announced as she hit a large red button mounted on the wall. A metal shutter slid into place closing off the corridor. “C’mon, run! It won’t hold for long.”

As they jogged along, their progress was hampered by a series of thick cords which crisscrossed the brightly lit passage. Mick grunted as he clambered through the knotted strands. “What the hell are these, anyway?”

“Twisted plotlines,” replied Simone. “Try to bend them rather than break them; they might be important.”

Simone’s cell-phone beeped, signalling an incoming message. At the same moment the corridor lights failed, plunging them into darkness. The only illumination was from the phone; the message read: ‘look ahead’. Simone looked up from her phone; a large wooden door had appeared from nowhere right in front of them, seemingly hanging in limbo. Golden light leaked around the edges of the door. A red neon sign flashed. ‘Enter,’ it commanded. Simone glanced at her two companions.

“What the f…” Mick took a step towards the door, as the excruciating sound of shearing metal echoed down the passage. They heard a drone whirring towards them.

“C’mon,” Simone tugged at the sleeve of Jonesy’s overalls, “we’ve no alternative.”

Mick touched the door which swung inwards, bathing them in the bright golden light. Blindly they rushed through; the door slammed shut behind them. Slowly their eyes adjusted. They looked around, confused. They were back in the room from where they’d just made their escape, but it was undamaged. Good as new.

The viewing screen over the main console flickered on to reveal a figure, features obscured by the bright back lighting.

“Sit down,” commanded the voice from the screen. Obediently Simone, Mick and Jonesy seated themselves at their workstations. “You have done well,” the voice continued, “but now you must move to the next level.” The walls around them began to shimmer. “Write yourselves out of this!” The screen dissolved. There was a loud pop and a flash of light.

“Whoa, what’s happening?” Mick‘s words were barely audible above the sound of rushing wind. Suddenly the noise stopped. They looked up at the viewing screen. Outside the view was as green and tranquil as before the recent attack.

Mick shrugged. “No immediate threat then?”

“Maybe not.” As Simone took out her laptop the sky darkened. On the viewing screen they saw a huge metal disc hovering over the mountain. It didn’t look friendly.

“Here we go again!” Mick said, snatching his keyboard from the desk.

©2018 Chris Hall

 

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Little Malice: the prequel

The Book lunasonline Voynich more Plants Credit Yale University
Credit: Yale University

From my Flash Fiction collection

I was sent to the Valley in my fourteenth year. I was given a little attic room and assigned as apprentice to the Herbalist beyond the Green.

She set me to work in the Storeroom, where I organised the shelves, made labels and lists. She was impressed with my lettering. Gradually I started to learn Herb-Craft: where to gather the freshest ingredients, what to plant and when to harvest, recipes for teas and tinctures, poultices and potions.

A year later, following the midsummer feast, she put me to work on the Book. I copied out new recipes, made illustrations, noted where and when certain plants could be found.  I began to assist in the Dispensing Room. She was pleased with me and with my work.

I learned that certain things displeased her. If she found me chatting too long whilst I was dispensing remedies, she would stand at the door, arms folded, tapping her foot. My friends soon took the hint. Or if she saw me spending time at a particular market stall, she would take me firmly by the elbow telling me to ‘come, leave that now’.

I worked with my pen and brush in the Storeroom at a little desk among the wooden shelves on which the flasks and jars were kept neatly in rows. Even on the hottest of days the Storeroom doors remained shut. No prying eyes were tolerated; the work was secret. I was sworn to keep those secrets.

One afternoon, I’d made myself a cup of herbal tea using leftovers from a poultice. She came in and sniffed my teacup. “What is this?” she asked. I explained. “Is it in the Book?” “No, it but was only a handful of leaves.” Her eyes flashed, “There must be no omissions from the Book.” She stabbed at the cover with fingers clenched and walked out.

Two years passed. My knowledge grew. I followed her rules; made sure she had no cause to admonish me. She taught me a little rudimentary Spell-Craft and the Storeroom prospered as never before.

One morning in late summer, when the dew was still fresh on the ground, I took my basket up to the head of the Valley to the source of a little stream I knew. There I found newly growing belladonna and wolfsbane. I picked a sprig of each and hurried to back to the Storeroom.

Later that afternoon, I settled down at the little desk with my brush and pen and my new specimens. I opened the Book and turned to the poison plants section. But it was missing. I checked again, carefully, page by page, but it was as if the pages had never existed.

I hurried over to her little house and called her. She followed me slowly and sat down at the desk. I showed her where the missing pages should have been; how they seemed to have disappeared into thin air. I thought she’d be cross and give me that look, so I prepared myself. But she looked up at me and said “Never mind now.” She laid her wrinkled hand on my arm: “Go home; I’ll see you in the morning.”

The Storeroom was unusually busy the next day and my morning was spent making up and dispensing remedies. It was only in the afternoon that I took the Book down. The moment I opened it, I could see something was wrong. Strange symbols had been written in the margins and there were untidy blots and crossings out. I didn’t understand.

I heard the Storeroom door open. She appeared in the doorway and came over to the desk. “Something’s happened to the Book,”’ I said, showing her.

“Only you use the Book. No one else has touched it.” She brought her face close to mine and I saw pure hatred on her face. “Why have you done this?”

“I haven’t done anything.” I felt myself starting to shake. I knew I hadn’t done anything. I stared up at her. “It wasn’t like this yesterday.” My stomach churned under her gaze. “We looked at it together, remember? The missing pages?”

“I know you did it.” Her voice was like gravel.

I stood up, facing her across the little desk. I held her stare; not this time, I thought. There was a burning smell. I looked down. Smoke was rising from the edges of the Book. The paper began to curl and suddenly the pages ignited. She slammed the Book shut.

“Go!” She pointed to the door. “Just go!”

I grabbed my basket and cloak and fled towards the Green. I looked back just once. There she stood, framed by the doorway. She glared back at me for a moment; then she slammed the Storeroom door shut.

I never went back. I avoided that part of the village and only went to the market during dispensing hours when I knew she’d be occupied. I could never rid myself of the memory of the expression of loathing on her face, or the power I’d felt that moment when the Book had ignited. I had been changed forever.

©2018 Chris Hall

Read what happened after that: Little Malice and Little Malice 2
About poisonous plants

 

Man on a mission

Man on a mission flash fiction lunasonline

Sanchez rises early. He dons his trench-coat, pulls on his hat.

Sliding stealthily through the silent streets, a dark, fast-moving, shadow. Hat pulled down, collar turned up, he passes through the checkpoint unchallenged. Now he’s in the ‘other’ city.

He’s closer now. He slows down and looks around. His eyes flick left, flick right. Careful, as he watches comings and goings of the grey-clad people. He times his move, then scurries across the square. He waits hunched in a doorway. A clock strikes.

He hears the click-clicking of heels on the flagstones; getting closer. He glances at the reflection in the window opposite. He tenses, wired for action. The woman draws level with him.

He springs out, reaches into his raincoat, pulls out a single red rose. He hands it to her. She smiles.

Then he’s gone. Mission accomplished.

©2018 Chris Hall

Log jam

log jam lunasonline

From my Flash Fiction Collection

‘Okay lads, let’s get going, the tide’s turning.’ The foreman shouted to the gang of stevedores standing at the quayside. The log vessel was docking. Ropes were thrown and secured to the moorings; shouts were exchanged between the men.

Young Eddie Stevens entered the cargo hold immediately it was opened. Jimmy McCabe was right behind him. ‘Wait, Eddie. We need to get the ropes,’ shouted Jimmy. Too late, Eddie was already scrambling over the slippery stripped logs. He lost his footing and, as the logs turned in on themselves, Eddie was sucked down like a towel in a mangle.

Jimmy tied a rope around his waist, throwing the other end to Joe Taylor. He scrambled to where Eddie had been swallowed up. Glancing behind him he eased himself down. The hold was deep and dark. The air felt thick. He called out to Eddie. No response.

Jimmy twisted and turned through the narrow spaces between the logs. His chest was tightening; his head began to pound. He reached out again and felt something yielding. It was Eddie’s arm. He felt around; found his face, soft like a baby’s. He wasn’t breathing. Jimmy clung on to him. His brain seemed too big for his skull. Jimmy closed his eyes in the dark, warm womb of the hold. His last thought was of his pretty young wife, Marie, his little son and the child Marie was carrying.

***

Marie looked at the clock; half past five. She looked down, Jimmy Junior was playing on the floor with the shiny Dinky cars which Jimmy had brought home for him a week ago. Marie smiled and rubbed her back. She was eight months gone with a little brother or sister for Jimmy Junior. She sat down, sighed and murmured happily, ‘Daddy’ll be home soon.’

©2018 Chris Hall

The Beautiful Game?

The Beautiful Game picture by Dermot Carlin lunasonline
Photo by Dermot Carlin

She’s put out the snacks and brought his beer, chilled, in his special glass (one of them). More beers are in the fridge; she has a pie ready to warm for half-time – steak and kidney – his preferred.

Pre-match build up: pundits pontificate; re-runs, highlights, triumphs and near misses. There is success and then there is shame. Which will it be today? National Pride is at stake, for this is the World Cup.

As she sits, small and submissive on the far end of the couch, she plays a different commentary in her head. Missed penalties, own goals, bad decisions by the ref. The repercussions: cuts and bruises (hers); failure on the field reflected in domestic disappointment.

Predictions are favourable. The odds of a positive outcome are weighed in favour. She weighs up her own odds: win or draw 20 per cent, lose 50 per cent (the chances of a beating).

©2018 Chris Hall

Incidents of domestic violence rise significantly during the World Cup

Little Malice 2

Little Malice 2 lunasonline credit Art Wolfe-Science Source
Source: Art Wolfe/Science Source

She’d taken a dislike to me, made that doll-thing with the pins stuck in it. I stole it from her house while she was out, but she saw me on the way back. She knew.

I tried to make one of her, as a precaution; sure she’d make another one of me. But I couldn’t get the likeness. She didn’t though. Those pains never returned; the ones from the pins. Just that sick feeling whenever something reminded me of it.

Folk in the village cottoned on; others had suffered too. I never said much; smiled, nodded and moved on.

The following spring, I was visited by a crow. He sat on my washing line and looked at me, his head on one side. He came every day. I fed him titbits; told him my troubles.

Other people had crows visit too; the ones who’d fallen out with her.

One spring day more arrived. First a couple; one alighted on the church spire, the other on the maypole – mine, I thought. More came, settling on her roof, on window ledges and door frames, covering the house in a black shroud.

Folk gathered on the village green. Windows cracked, wood splintered. No-one went to her aid. We drifted back to our houses.

Night fell.

In the morning, they’d gone. The little house had been stripped bare. The small, stooped skeleton pecked clean inside.

Some called it a murder of crows. I called it revenge.

©2018 Chris Hall